Pound writes in his essay “A Few Don’ts by an Imagiste” that “an image is that which presents an intellectual and emotional complex in an instant of time” (200). In the next issue of Poetry, Pound provides a succinct example with his poem “In a Station of the Metro.” Each line presents an intricate image, and to extend Pound’s imperative, creates that “emotional and intellectual complex” in the interplay between the two images:
While I agree that robots are often used to symbolize the “other,” I think we as humans require that “other” to define ourselves as human. We cannot see ourselves unless we can define what we are not (Foucault, Derrida, etc.), but in doing this we often rely on other cultures, languages, or skin colors as the other.