Over at Pea River Journal:
You should definitely check this out, very cool. And while you’re there, check out the upcoming issue and buy a copy 🙂
Now that you’ve read the initial post, walk along this exploration with me. The beginning of this journey is about the act of close attention. As just about any poet will tell you, close attention is one of the primary aspects of writing poetry. Another way to say this is that poems do not unveil themselves without your hard work of paying attention to the world around you.
But what does this have to do with revision?
Good question, you! Where ecstatic creation in the face of the results of close attention (a good example is found among the Beat Poets) may result in much earnest poetry–and even very good poetry–the act of revision asks for close attention to the poem, the poet, and the subject of the poem. Revision forces the poet to decide, to act, to reflect, to unveil, and to question.
Hi Beautiful Readers! As writers, literary hangers-on, and readers, we all know that the esteemed literary magazine is the pillar, the bulwark, of the literary scene. We know that there are more literary magazines than there are readers, but not as many as there are writers. We know that literary magazines have problems and solutions in this day and age of digital accessibility.
I want to run a quick poll about your ideas of the current Lit Mag landscape. I have my own opinions, and I will be posting on that when this poll is over in a week.
Thanks for participating!
Even the cover reflects the contents of Kasischke’s poetry collection. Both the title – Space, in Chains – and the Rothko abstraction on the front point at the nearly ungraspable poems in between the covers. But the reasoning behind the ungraspable-ness may be the ungraspable subjects and themes Kasischke meditates on through these poems. That is, the poet approaches and interrogates the unknowable, and attempts to enlighten through the medium of abstracted understanding. Continue reading